I believe, and many of my colleagues do, that the future of stage design is in digital scenery for a variety of reasons. This show was a further testing ground for that idea, in a context that did not involve a big-box-budget. And it worked! The hard scenery was minimal and flexible - providing a frame for the story unfolding. I created 13 digital backdrops for the show, depicting different seasons, times of day, and subtly following the dramatic arc with certain palette and movement choices.
The video above shows a selection of those backdrops, in the order they appear in the show. Learned a great deal from this experience, am very pleased with how it came out, and eager to apply my new knowledge to another project.
