A great deal of my career seems to have been spent convincing directors that walls for walls' sake are boring. Luckily for me, some of them didn't need a lot of persuasion. I always want to hone in on the details - those things that you remember about a place years after the wall mass is long forgotten. In the heightened emotionality of dramas, this can be incredibly effective and provide opportunities for Lighting to play a much more active and evocative emotional role. You will also see, I've come up with some successful traditional settings too. It's still all in the details!